L'intégrité du corps en question. Perceptions et représentations de l’atteinte physique dans la Rome antique. Sculpture he meant when he wrote

he meant when he wrote that: "No one before Survage had been able to put an entire city with the interiors of its houses in a single canvas

“High Places of History” Collection

sculptures

L’architecture de l’atelier est caractérisée par un bâti léger

The exhibition reflects this double resistance

L'intégrité du corps en question. Perceptions et représentations de l’atteinte physique dans la Rome antique. Sculpture he meant when he wroteWhile the presence of disability in history may seem unchanging, the same cannot be said for its perception. This book, combining both a historical and an anthropological approach, based on a broad review of literary and archaeological documentation, examines the perceptions and representations of bodily impairment from the 1st century BC to the 4th century AD, and their evolution. The aim is to depict how the people concerned were considered and