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Bitumen wood
living in Switzerland – remains too little known to the French public
An heir to Kandinsky and Matisse
driven by a saving sense of humor
photographs and drawings
Matisse et Marguerite: Le regard d'un père. Théories de l’art Bitumen woodFrom the earliest childhood images until the end of the Second World War, Marguerite remained Matisse's most consistent modelthe only one to have inhabited his oeuvre over several decades. Her portraits, possessing remarkable candor and intensity, betray a rare emotion, equal to the deep affection Matisse felt for his daughter. The artist seemed to see in her a kind of mirror of himself, as if, in depicting her, he was finally achieving the "almost
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