Concrete, mon amour. The raw Imprint of Modernism. Romaine – Gréco-Romaine and the Musée national des

and the Musée national des Arts et Traditions populaires

Mais la forêt est aussi le sanctuaire d'une faune prolixe qui s'épanche en un bestiaire souvent enchanté laissant libre cours à l'animalité

This catalogue

Jean-Pierre Dutilleux has traveled the world

dans les années 1980

Concrete, mon amour. The raw Imprint of Modernism. Romaine – Gréco-Romaine and the Musée national desOnce hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid to late 20th century, which have become a defining subject of Stefano Peregos photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten