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s’arrêtant sur les visages
which notably lets Charles Melville recount his daily life as a student painter at the Beaux-Arts
the engravings that illustrate it must still be considered for their aesthetic value
according to the stelae of Matâanah (Cairo No
and in what should he principally exercise himself
The Lament of Baba Tahir. Being the Ruba'iyat of Baba Tahir, Hamadani ('Uryan). Bretagne s’arrêtant sur les visagesThe Persian text edited, annotated and translated by Edward Heron Allen and rendered into English verse by Elizabeth Curtis Brenton. Persian text and English translation.
